If it doesn't disappear, your export worked fine-happy days!If it exports fine, you can remove the blue square, and do more kerning. I'm paranoid about my kerning going awol.Just before I export I add a blue square (add anything with bright colour) add it as a capital A (alternative) so you can quickly find it.Then when you export, if it crashes that blue square will disappear (file reverts back to when you didn't have a blue square).So you know you just lost your work. This next bit is going to sound crazy, but I don't care. If you don't get the little green message saying the font has exported, then it's silently crashed and you have lost all your work up until the last time you exported-what the hell, 1 hour kerning down the drain!So what I now do is kern in little bits, and export often. When you export your font-watch the Fontself plugin do its thing. I get no error messages.And I'm not sure why it happens, too many glyphs? Glyph size too big? I just don't know, but I think it's file size related.What I can tell you is that it's very annoying. Photoshop for me at least does not crash. I've found that sometimes when I export after kerning, the file kind of crashes and I lose all my latest kerning changes.The trouble is its hard to tell if that happened. It will be much quicker to run a batch action on those linked smart objects to convert them to png files and standard photoshop files. Also, create folders to categorise your saved letters (see points below about layer names and sort your glyphs)That way you will have all the glyphs saved in a super organised way. And you can grab every layer and scale them down together, so everything keeps the right proportion.If you want to be really clever, and you are super organized then add each glyph as a linked smart object (Layer/Smart Objects/Convert to linked).Photoshop will prompt you to save the smart object as a. Create smart objectsĪs your original artwork is far bigger than you need I've found the best method is to convert that to a smart object and scale it down.Fontself at the time of writing this won't use the bigger smart object but rather uses the dimensions you have scaled it down to.The beauty of this is that you can scale the smart object up or down without losing any quality at all. Then when I'm happy I'll record an action so I can apply the exact same settings to each scan.The action also sets the transparency and cleans out any dust and stray paint marks. Save it out as a font, quit and restart Photoshop.Select the new typeface and test it on a colour background or colour photograph.Is it too transparent? or not transparent enough?Testing early will allow you to iron out any problems (like transparency) the last thing you want is to is go back and re-do everything.I've found it much easier to create a photoshop action that changes the levels of my scans so everything is consistent.I use the levels in Photoshop (Image/Adjustments/Levels) on one of my files, write down what level adjustment I made. If your font has transparent glyphs then test a few glyphs first. Test after you have just a few glyphs.When you have finished the font you can remove all the old versions (the files are mahoosive). Test often, don't wait until you have every glyph in photoshop-that way leads to madness, trust me. You do that via font info in the Fontself extension.This will avoid anything getting cached by your system. What do I mean by that? Well, name your font name-v1, name-v2 etc each time you export.
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